Deepak poore raaste batata raha kaise usne interview round diye. Main sun raha tha aur soch raha tha ghar ka manzar kya hoga. Main jaise hi ghar pe pahocha maine Deepak ko jaane ko kaha aur main ghar ke bell bajane laga. Main khushi ke maare do aur baar maar diya.Darwaza kholke behen khadi thi aur keh rahi thi “Thodi der ruk nahi sakta kya?” Maine jawab nahi diya, meri nazre maa ko dhoond rahi thi. Main maa ko dhoondte dhoondte andar aaya aur charo taraf dekh raha tha. Lekin woh mujhe dikh nahi rahi thi.Itne mein behen mere saamne aayi aur boli, “Kya dhoond raha hai?” Uski awaaz mein thodi ghabrahat mehsus hui. “Maa kaha hai?” main usko ignore karte hue poocha.“Maa, papa aur rupa, gaon gaye hai. Kisiki death ho gayi hai.” Didi ne rahat ki saans lete hue boli. Main mayus ho gaya aur soch raha tha ab kaise. Didi ne bola, “Kyu ro raha hai khana table pe rakha hai. Maa ne tere pasand ki ghobi ki sabji banayi hai.”Main usko ignore kar apne room ke or badha aur itne mein didi ne awaaz di.. In a matter of hours the production had started in earnest. Both Ken and Barbara were sent all over the theater for various items of need. Props were put into certain staging areas for readiness. The entire group became more alert.At least that's the way Barbara felt as she helped one person and then another. The tone of everyone's voice had lowered and the joking had decreased. The practicing had begun for various parts of the play. The director would call for a scene to be set. Then a flurry of activity as the staff responded. It all had to be done in the dark and everything had to be placed correctly on stage and off. It took a number of times before the director was satisfied with the set. Ken and Barbara were asked to write various numbers on the props depending on the set. By using different colors of chalk and varying locations of the props off stage, the crew was able to reset each scene within the time limits imposed by the director.For Barbara, this experience gave her some.
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